Upcoming events
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ORIGINAL WORKS 4
Thursday, March 13 - 7:00 to 9:00 PM
Original Works returns with its fourth iteration. Always a popular event, this curated speaker series gives a platform to local artists eager to share their work and network with others! Doors open at 6:30pm.
Suggested $10 donation -
AUDITIONS: Petticoat Rules
Friday, March 14 - 5:30 to 8:00 PM
Saturday. March 15 - 1:00 to 5:00 PMRegistration required.
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PETTICOAT RULES: 25th ANNIVERSARY
The beloved local musical about the first all women’s town council in 1920s Jackson Hole returns to the Pink Garter stage!
May 23 - June 14 2025
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DISCO 99
A modern comedy of errors about a group of jaded millennials who get repeatedly triggered by a seemingly innocent 1970s mystery dinner game.
Written by Andrew Munz.
Coming September 2025 -
TUMBLEFEST
A celebration of local artists and the community where they create. Registration for participants will open in April 2025.
Coming September 2025
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VELVETEEN
An original adaptation of Margery Williams’ “The Velveteen Rabbit” featuring puppetry, shadow play and an original score. Written, designed and composed by Jesse Morgan.
Coming October 2025 -
ARSENIC AND OLD LACE
A drama critic discovers his elderly aunts have been secretly poisoning lonely old men, leading to hilariously macabre chaos. A co-presentation with Jackson Community Theatre.
Coming December 2025 -
Untitled BURLESQUE Show
The third iteration of Tumbleweed’s blockbuster burlesque performances.
Coming February 2026 -
THE SECRET SUMMIT
Detective Inspector Edgar Finch (“The Black Ibis”) travels to Bulgaria to attend a European folklore summit.
Coming Fall 2026
Calendar
Acting for the Stage: Session B
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
“PETTICOAT RULES” - Auditions
Set in 1920s Jackson Hole, Petticoat Rules is a centers on Jackson's first all-female town council. Led by Rose Crabtree and Grace Miller, this group of determined women stand up and take reins of local government—much to the dismay of the town’s men. As they navigate political pushback, personal rivalries, and the challenges of leadership, an unlikely romance blooms between Cissy Patterson, an East Coast socialite, and Cal Carrington, a charming Wyoming wrangler. With humor, heart, and a lively western score, Petticoat Rules honors these pioneering women who defied expectations, leading with their slogan: "Roosters crow. Hens deliver!"
Music by Pam Drews Phillips
Book and Lyrics by Mary Murfitt
Auditions take place on Friday 3/14 - 3/15. Registration encouraged.
Ages 14+
Click Here To Learn More
“PETTICOAT RULES” - Auditions
Set in 1920s Jackson Hole, Petticoat Rules is a centers on Jackson's first all-female town council. Led by Rose Crabtree and Grace Miller, this group of determined women stand up and take reins of local government—much to the dismay of the town’s men. As they navigate political pushback, personal rivalries, and the challenges of leadership, an unlikely romance blooms between Cissy Patterson, an East Coast socialite, and Cal Carrington, a charming Wyoming wrangler. With humor, heart, and a lively western score, Petticoat Rules honors these pioneering women who defied expectations, leading with their slogan: "Roosters crow. Hens deliver!"
Music by Pam Drews Phillips
Book and Lyrics by Mary Murfitt
Auditions take place on Friday 3/14 - 3/15. Registration encouraged.
Ages 14+
Click Here To Learn More
Original Works 4
Original Works 4 brings together local artists from the Jackson Hole community for an engaging evening of creativity and inspiration. This curated artist open mic allows participants to share insights into their artistic processes, fostering a deeper understanding of the diverse methods and visions that define the region's creative scene. Attendees can expect an array of narratives and presentations that highlight the uniqueness of each artist's journey. From storytelling to visual displays, Original Works 4 serves as a platform to showcase the talent and innovation present in Jackson Hole, creating a sense of connection among artists and the audience alike.
Thursday 3/13 at 7:00 PM (Doors at 6:30 PM)
Suggested $10 donation
Concessions available in the theatre. Please no outside food or beverages.
Acting for the Stage: Session B
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Acting for the Stage: Session B
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Acting for the Stage: Session B
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Directing for the Stage
Directing for the Stage
This four-week course offers students a comprehensive exploration of the director’s role in theatre. Through hands-on exercises and collaborative projects, students will learn how to transform a script into a fully realized production.
Writing for the Stage: Session B
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Writing for the Stage: Session A
CLASS DESCRIPTION
Playwriting isn’t just about telling a story—it’s about creating an experience for both audiences and performers alike. In this six-week writing course, instructor Andrew Munz invites you to reimagine what a play can be. Why this story? Why now? Why these characters? These are the questions we’ll wrestle with as we uncover what makes your work urgent, alive, and impossible to ignore.
Through bold exercises and unique approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience and create a dynamic story. This is a course for writers of all experience levels who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own full-length play, one-woman show, or whatever you dream up.
This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
INSTRUCTOR
Andrew Munz is the Artistic Director of Tumbleweed Creative Arts and is one of the most prolific playwrights in Jackson Hole. Recent productions include THE BLACK IBIS and THE IMPORTANCE OF WILD COUNTRY, as well as SAGA: A NEW NORDIC MUSICAL, all produced by Tumbleweed at the Pink Garter Theatre. Other productions include COWBOYS LIKE US: A FAIRY TALE, TRÖLLASKAGI, and the five productions comprising the famed I CAN SKI FOREVER series. Raised in Jackson, Munz also studied at The Second City, iO Theatre and The Annoyance Theater in Chicago, IL.
SESSIONS
Session A — Sundays, Jan 12 - Feb 16 @ 1:00 PM - 3:00 PM
Session B — Tuesdays, Jan 14 - Feb 18 @ 6:00 PM - 8:00 PM
COST
$300
Directing for the Stage
Directing for the Stage
This four-week course offers students a comprehensive exploration of the director’s role in theatre. Through hands-on exercises and collaborative projects, students will learn how to transform a script into a fully realized production.
Writing for the Stage: Session B
CLASS DESCRIPTION
Playwriting isn’t just about telling a story—it’s about creating an experience for both audiences and performers alike. In this six-week writing course, instructor Andrew Munz invites you to reimagine what a play can be. Why this story? Why now? Why these characters? These are the questions we’ll wrestle with as we uncover what makes your work urgent, alive, and impossible to ignore.
Through bold exercises and unique approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience and create a dynamic story. This is a course for writers of all experience levels who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own full-length play, one-woman show, or whatever you dream up.
This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
INSTRUCTOR
Andrew Munz is the Artistic Director of Tumbleweed Creative Arts and is one of the most prolific playwrights in Jackson Hole. Recent productions include THE BLACK IBIS and THE IMPORTANCE OF WILD COUNTRY, as well as SAGA: A NEW NORDIC MUSICAL, all produced by Tumbleweed at the Pink Garter Theatre. Other productions include COWBOYS LIKE US: A FAIRY TALE, TRÖLLASKAGI, and the five productions comprising the famed I CAN SKI FOREVER series. Raised in Jackson, Munz also studied at The Second City, iO Theatre and The Annoyance Theater in Chicago, IL.
SESSIONS
Session A — Sundays, Jan 12 - Feb 16 @ 1:00 PM - 3:00 PM
Session B — Tuesdays, Jan 14 - Feb 18 @ 6:00 PM - 8:00 PM
COST
$300
Writing for the Stage: Session A
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Directing for the Stage
Directing for the Stage
This four-week course offers students a comprehensive exploration of the director’s role in theatre. Through hands-on exercises and collaborative projects, students will learn how to transform a script into a fully realized production.
Acting for the Stage: Session A
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Writing for the Stage: Session B
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Writing for the Stage: Session A
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Acting for the Stage: Session A
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Writing for the Stage: Session B
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Writing for the Stage: Session A
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Acting for the Stage: Session A
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Writing for the Stage: Session B
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Writing for the Stage: Session A
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Acting for the Stage: Session A
Acting for the Stage
Acting isn’t about memorizing lines—it’s about living truthfully in the moment. In this four-week course, we’ll explore how to be present on stage, build patience, and let characters come alive through you. Utilizing improv, imitation and intentional movement, this course is designed to help students embrace spontaneity and discover how to maneuver confidently in someone else’s skin.
Writing for the Stage: Session B
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
Writing for the Stage: Session A
Writing for the Stage
Through bold exercises and unexpected approaches, you’ll learn to shape dialogue, structure chaos, and manipulate the stage to capture your audience. This is a course for writers who want to push boundaries, embrace risk, and explore the radical potential of live performance. By the end, you’ll have the foundation of your own play, with Act One, Scene One ready to hit the stage. This isn’t playwriting as usual—it’s writing for the stage with purpose, power, and a touch of audacity.
HOLE FOR THE HOLIDAYS - A Christmas Comedy Show
December 19 - 21 & 26 - 28, 2024
7:00 - 9:00 PM
This holiday season, Your Girl Catherine—Jackson Hole’s self-proclaimed queen of wit and real estate—invites you into her world for an evening of sharp humor, subversive insights, and just the right amount of holiday chaos.
In Hole for the Holidays, Catherine (Andrew Munz) takes on the absurdities of winter in Jackson with her signature charm, dissecting everything from the bubbling housing market, to the death of Grizzly 399, to the wealthy tourists and homeowners who flock to the Tetons during the holidays, all while sipping martinis and holding absolutely nothing back, roasting more than just chestnuts on an open fire...
Perfect for locals, transplants, and anyone who can afford a $10,000 ski pass, this is the fun and stupid holiday show everyone needs right now. Each night features improvised moments and surprise special guests! No two shows the same.
Tickets are $25 for general admission, $35 for the unobstructed VIP railing seats.
All proceeds from this production go back to supporting Tumbleweed Creative Arts.
Duration: 90 minutes
Doors open at 6:30pm. Recommended for ages 13+
All sales are final. No refunds or exchanges.
HOLE FOR THE HOLIDAYS - A Christmas Comedy Show
December 19 - 21 & 26 - 28, 2024
7:00 - 9:00 PM
This holiday season, Your Girl Catherine—Jackson Hole’s self-proclaimed queen of wit and real estate—invites you into her world for an evening of sharp humor, subversive insights, and just the right amount of holiday chaos.
In Hole for the Holidays, Catherine (Andrew Munz) takes on the absurdities of winter in Jackson with her signature charm, dissecting everything from the bubbling housing market, to the death of Grizzly 399, to the wealthy tourists and homeowners who flock to the Tetons during the holidays, all while sipping martinis and holding absolutely nothing back, roasting more than just chestnuts on an open fire...
Perfect for locals, transplants, and anyone who can afford a $10,000 ski pass, this is the fun and stupid holiday show everyone needs right now. Each night features improvised moments and surprise special guests! No two shows the same.
Tickets are $25 for general admission, $35 for the unobstructed VIP railing seats.
All proceeds from this production go back to supporting Tumbleweed Creative Arts.
Duration: 90 minutes
Doors open at 6:30pm. Recommended for ages 13+
All sales are final. No refunds or exchanges.
HOLE FOR THE HOLIDAYS - A Christmas Comedy Show
December 19 - 21 & 26 - 28, 2024
7:00 - 9:00 PM
This holiday season, Your Girl Catherine—Jackson Hole’s self-proclaimed queen of wit and real estate—invites you into her world for an evening of sharp humor, subversive insights, and just the right amount of holiday chaos.
In Hole for the Holidays, Catherine (Andrew Munz) takes on the absurdities of winter in Jackson with her signature charm, dissecting everything from the bubbling housing market, to the death of Grizzly 399, to the wealthy tourists and homeowners who flock to the Tetons during the holidays, all while sipping martinis and holding absolutely nothing back, roasting more than just chestnuts on an open fire...
Perfect for locals, transplants, and anyone who can afford a $10,000 ski pass, this is the fun and stupid holiday show everyone needs right now. Each night features improvised moments and surprise special guests! No two shows the same.
Tickets are $25 for general admission, $35 for the unobstructed VIP railing seats.
All proceeds from this production go back to supporting Tumbleweed Creative Arts.
Duration: 90 minutes
Doors open at 6:30pm. Recommended for ages 13+
All sales are final. No refunds or exchanges.
HOLE FOR THE HOLIDAYS - A Christmas Comedy Show
December 19 - 21 & 26 - 28, 2024
7:00 - 9:00 PM
This holiday season, Your Girl Catherine—Jackson Hole’s self-proclaimed queen of wit and real estate—invites you into her world for an evening of sharp humor, subversive insights, and just the right amount of holiday chaos.
In Hole for the Holidays, Catherine (Andrew Munz) takes on the absurdities of winter in Jackson with her signature charm, dissecting everything from the bubbling housing market, to the death of Grizzly 399, to the wealthy tourists and homeowners who flock to the Tetons during the holidays, all while sipping martinis and holding absolutely nothing back, roasting more than just chestnuts on an open fire...
Perfect for locals, transplants, and anyone who can afford a $10,000 ski pass, this is the fun and stupid holiday show everyone needs right now. Each night features improvised moments and surprise special guests! No two shows the same.
Tickets are $25 for general admission, $35 for the unobstructed VIP railing seats.
All proceeds from this production go back to supporting Tumbleweed Creative Arts.
Duration: 90 minutes
Doors open at 6:30pm. Recommended for ages 13+
All sales are final. No refunds or exchanges.